|
Director Perarasu has stick to his old formula for success.
‘Tirupati’ is just a continuation of his two earlier films, as
there is nothing new in it to boast of. The dialogues,
presentations and song picturization are very much similar to
his earlier films. The expectation on Ajit and Perarasu
combination is certainly more than this. Unfortunately, the
director seems to be obsessed with larger-than-life and
kind-hearted character, who tries to reform the society.
‘Tirupati’ has all the masala elements like outrageous songs,
crass comedy, glamorous heroines, big hero and predictable
plots. The film then tries to convey a message through the
hero’s violent actions.
Tirupati (Ajt) runs the Tirupati Sounds that provides mikes
and other electronic goods for functions. He does all his works
with the help of his comedian friends (Ganja Karuppu, Benjamin,
Sathyan). He is also Suri’s (Riaz Khan) henchman, who is the son
of a powerful minister (Pyramid Natarjan). He works for them by
heading a gang that breaks the meetings of rival parties, takes
bribes etc. He then meets a beautician Priya (Sada) and falls in
love with her. The rest of the film is on his love-hate
relationship, heroine’s bluffs and comic confrontation at her
house.
‘Tirupati’ is a typical Perarasu film with the hero having a
great supportive family. It has a nice father (R.Sunderajan), a
loving mother, a notorious brother (Harish Raghavendra) and a
pregnant sister (Deepa). The pregnant sister dies due to the
negligence of a doctor at a private hospital, who demands a huge
sum of money. The doctor is none other than Suri’s half brother.
This incident makes Tirupati turn against his boss.
The film is very much like Perarasu’s earlier film ‘Sivakasi’
but the director has managed to wrap it neatly by including a
social message. It tells about the election manifesto that
promises Free Sukha Prasavam (normal delivery) in the state for
pregnant ladies. It also brings to light how far the promise has
been fulfilled. However, it lacks good punch lines for the hero
unlike other Perarasu’s films. The pace in the second half slows
down and the climax fight scene gets repetitive. Moreover,
Bharadwaj’s music has nothing to offer.
Ajit has taken the whole burden on his shoulders. He has done
a good job in spite of a regular feel-good character that he
plays in the film. Sada’s role in the film is very small and
Riaz Khan’s performance as a villain is fine.
On the whole, director Perarasu should have brought in some
fresh ideas for the film instead of relying on his tried
formulas. He should try to do something different in his next
films. |